Tracks on Tracks: The Fourth Day

Sioux Lookout was the site of the beginning of day four, the final full day on the train. Chris Ho performed a "Sunrise" Platform show, which I missed due to sleep.

The day seemed a bit slower as people were, I'm sure, nursing the cinematic aftereffects of alcohol, and the acoustic shows of the day started with Emperor of the North, the combination of Zachary Gray and Adrian Glynn. They traded off songs, playing a couple of Glynn's songs and a couple new Zolas songs before ending on a Leonard Cohen cover, "Show Me The Place" off his new album.

The Belle Game was next up, in the very last car, the Park Car. Their set wasn't quite as acoustic as a couple days before, when they blew a fuse. The played some old and new stuff, brought up Sheryl and Krista from Sidney York to back them up on oboe and bassoon for "Sleep to Grow" and they ended off with their brand new song, "Wasted Light"

Maurice and Top Less Gay Love Tekno Party were both supposed to play acoustic sets as well, but the timing didn't work out, and everyone packed the Green Couch car for one last all night party. Emperor of the North (aka Murder on the Canadian) started it off with a similar set to earlier in the day. "Oh My World" was a great song, with the two of them percussing by hitting their guitars and clapping, and the dynamic and banter between the two was amazing, and I'm a little sad that it looks like their collaborating is going to be a one-off thing for the train.

Adaline was next and, aside from some technical problems throughout the set, rocked a dance party in the car. She seduced everyone with her sexy electro-pop sounds and sultry voice, and enlisting in the help of Mike and Pete from The Matinee (two of the hardest working musicians on the train) for a couple songs too. 

Then after some time for setting up, The Belle Game played their first full on electric show. Joined again Krista and Sheryl from Sidney York to fill out a few of their songs, their grand sound filled the car and kept the dance party going. They played a few new songs, and ended off with the huge "Sleep to Grow"

And finally, the last "official" show on the train was Bear Mountain -- the side project from Ian Bevis from TLGLTP-- wrapped up the night for some more dancing, but people were already starting to be strewn out the cars. There was an acoustic jam session with members of Shred Kelly and Portage and Main in one direction, and in the other The Matinee managed to get Grant Lawrence up for a rendition of The Smugglers' "Rosie" (which I regrettably missed!)

It sounds cheesy and cliché to say, but this train ride really was The Trip Of A Lifetime. There were a few hitches that they hit along the way; staff and other passengers not fully aware of what was going on being a big one, and there was the occasional miscommunication, and scheduling issues. But those are all first year glitches that hardly spoiled the experience, and will be smoothed out now that they know what the whole trip entails. And I sincerely hope that it is something that will happen on a yearly basis. I know I'm already saving up for next year.

Tracks on Tracks: The Third Day

We pull in (and out) of Saskatoon as day three began with more bustle in the morning, until the next stop in the small town of Melville, Saskatchewan where there was to be a platform show. The train was running late, however, so there wasn’t chance of a full show, but they opened one of the doors on a baggage car for newly acquired Shred Kelly to play a whirlwind set for nearly the whole town, including The Mayor!

The afternoon saw more cabin shows with Portage & Main and The Matinee, both stripped down. Portage took advantage of the setting and played some of their slower songs, like “Rocky Mountain Wanderer” (despite being in the middle of the prairies) and The Matinee crammed into the back of the Park Car, at the very end of the train. They had some assistance from Kiana Brasset on violin (and Grant Lawrence on woos) as they serenaded the car in front of the vast prairie landscape disappearing behind them.

The scheduled show at the Forks in Winnipeg didn’t quite go as planed. The train rolled in late making a much more rushed than anticipated; instead of the two-hour show, we were only in town for less than half an hour. Chris Ho played a few songs, followed by an obligatory set from the appropriately named Portage & Main, including their rocking (and train themed) newer song “Sweet Darlin”  It was then a game of hurry up and wait as we rushed back to the station but the train still wasn’t quite ready, so there were a few impromptu songs in the station; first Zach & Adrian, then Maurice and finally Lindsey Bryan.

We pulled out of The Peg and it was right back to the music with Shred Kelly rocking their self proclaimed “stoke folk”. Their great energy and enthusiasm was bolstered by co-vocals from the lovely Sage McBride and the blurry fingers of Tim Newton’s banjo picking, breaking a string in the middle of the set – which was immediately re-strung as the drummer and bassist filled the potential awkward pause. The wrapped up their set with “Tornado Alley”, which built to a huge, amazing ending.

Portage and Main was up next for another full out rock set, backed by Pete and Mike from The Matinee on drums and bass respectively. The banter between John and Harold was their usual self-deprecating joking; playing off each other well and the aforementioned train-themed “Sweet Darling” nearly blew the roof off the train car. They ended with a massive sing along to “Oh Caorlina” with the entire car belting out the chorus.

And The Matinee closed out the night in a way only they could, with another all out rocking set. They shook the train car as everyone stomped along to “L’Absinthe” and  “The Road”, using the walls of the train and random instruments for the usual drum breakdown, but they were urged back for one more, a cover (their third of the night) of Tom Petty’s “Running Down A Dream”



There were a few more scheduling glitches and some miscommunication the third day, and an illness that may have sidelined Sidney York from the rest of the train, but beyond that, it's still been one heck of a trip!

Sweetheart Serenade @ Rio Theatre -- 02/14/12

To be honest, I don't usually pay much attention to Valentine's Day. I usually just let it slip by unnoticed, but when Hip City puts together a show like the Sweetheart Serenade, with a few local acts playing intimate acoustic sets at a venue as nice as the Rio? Well, I wasn't going to miss that.
There were five acts throughout the night, and they all had short sets, so I'll [try to] keep it brief. But first, one thing that bugged me was an incessant buzz or hum throughout the night. It wasn't that noticeable when songs were played, but it was pretty prominent otherwise; if the person on stage was transitioning or bantering. I noticed it last show at the Rio, too, but hopefully it was just a one-off thing. I usually like shows at the Rio, so I would hate for this to be a persistent problem.

But on to the show itself. First up was Hannah Epperson, armed only with her violin and looping pedals. Interestingly enough (probably not that interesting), every time I've seen her has been at a show involving Zach Gray. Her set was short, but she showed off her fantastic violin skills and masterful loops, with a voice that fit perfectly for a few of her own songs, and an instrumental cover of "Can't Buy me Love". She also has the best awkwardly-charming stage banter this side of Aidan Knight, joking with the crowd between songs.
But the short set wouldn't be the last we saw of Epperson, as she was without a doubt the hardest working musician of the night.

Next up was Sunny Pompeii, the solo project of Said the Whale drummer Spencer Schoening. At first he was out alone for a couple songs with a folky charm, both original -- one that started "Last night I dreamt I kissed Neko Case" which immediately became a favourite -- and covers, before being joined by Epperson for a song and bandmate Simon Marmorek for the second half of the set. The covers throughout included the likes of Akron/Family, Grizzley Bear and Animal Collective and while Spencer's voice was a little worse for wear thanks to recording earlier in the day, their original songs were quirky and entertaining.

Next up was Tariq, who was backed by his Brasstronaut bandmate Sam Davidson on clarinet and space clarinet EWI, but performing his own songs. In contrast to Brasstronaut's ethereal sound, Tariq was more straight forward folk, almost with an alt-country twinge to the songs. He kept the theme of love songs going, though had mostly sadder love songs, and the strength of them was definitely Tariq's lyrics; a perfect example being "Front Row Seat", a love songs related through concert seating, with some clever and poignant lyrics that was not just my favourite of his set, but one of my favourites of the night.

John Sponarski, Harold Donnelly and Georges Couling of Portage & Main took the stage next. They, too, were joined by Epperson for a song, "Rocky Mountain Wanderer", and Savannah Leigh Wellman of Redbird (and honourary Portage & Main member) was also out for most of the set providing backup vocals. After the building "I'd Never Climbed a Mountain", they brought their set to an end getting the mellow crowd a bit more energized to sing along to the two-word chorus of "Carolina".
Some of their songs are as good, if not better, when stripped down, so it's always nice to see them play a more intimate acoustic show.

And finally The Zolas wrapped up the night. Zach and Tom took the stage and, once again, Hannah Epperson was out to lend her violin. They played a couple new songs, starting with "Ancient Mars" that had Tom on the drum pad, before feigning leaving, but were of course out for more; a cover of Radiohead's "Codex" and another new(ish) song "Strange Girl", where Zach decided to spontaneously jump on the drum pad mid-song for hilarious (yet awesome) results.
That seemed to be the end of it but they were out one last time -- in what may have been a rare legitimate encore -- for the crowd favourite "You're Too Cool" before ending the show.

In all, it was a really nice night, and all the performers on stage looked like they were legitimately having fun and were all really loose on stage, creating a really nice and intimate feel. Perhaps appropriate for what day it was.

Khatsahlano! The West 4th Music + Art Street Festival -- 07/23/11

Another weekend full of music, this time a day of free shows thanks to Khatsahlano! The West 4th Music + Art Street Festival, with West 4th Ave being closed off for several blocks, and five stages of music with dozens of bands throughout the day.

The day started at 11:30 with Kingdom Cloud, and even before noon all three members of the band -- in their uniform white jeans, blue shirts and neckerchiefs -- were full of energy; especially Evan, who was bouncing around the stage, hardly staying still for a moment. Blasting through insanely catchy power-pop songs, with awesome titles like "Love Goblin", "Turbo Ranger" and "Rainbow Road", they were incredibly fun to watch and a good start to the day.

The next act I wanted to catch was Ma Petite, even though I had seen them the night before. The set itself was similar, with charming songs like "I Like That You Like Books" and singer Indiana Avent's nice voice and great sense of storytelling.

From there it was a rush to The Peak sponsored stage where David Vertesi had just started. Most of the sets were only a half hour long that day, so Vertesi only had a handful of songs, which included his awesome cover of "Say You'll Be There" by Spice Girls, which seems to have become a staple of his repertoire, and the infectious "Mountainside" to wrap up his set.

After that there was a bit of a break in the action where we visited a "side party" put on by Zach Gray from The Zolas, on his front lawn. There were just a couple short sets with Hannah Epperson and her amazing violin looping first, then Zach playing a few songs solo. It wasn't too long, but gathered a pretty decent sized group of passer-by's and neighbours, and was a really fun and cool idea.

Then it was quickly back to the Peak stage on 4th for Aidan Knight. He announced it was going to be his last show of the summer, and he'll be back in the studio with his Friendly Friends soon to record a new album.
Started with "Friendly Fires", his set consisted of old and new songs, and of course Knight's great awkwardly charming banter. After the beautiful "Margaret Downe" alone, Aidan called not only his Friendly Friends back out, but also the members of Said The Whale and David Vertesi & Ashleigh Ball of Hey Ocean! to join him for the last couple songs. It was a really cool group jam, culminating in "Jasper", an incredible sight with everyone, on stage and in the street, dancing and singing along.

And finally, to wrap up the day, it was Yukon Blonde. Kicking off with "Babies Don't Like Blue Anymore", their tight sound and great energy as good as ever. Highlights were the rockin' "Bride's Song" and the always great harmonies of "Wind Blows", as well as a few new songs throughout the set. One had Kingdom Cloud and Spencer from Said The Whale on stage to help out, and another -- possibly called "Radio" -- which is hands down my favourite Yukon Blonde song, even though I've only heard it twice, live. They ended the set after a nice cover of The Cure's "Just Like Heaven" and another new one.

and the incredible day of music.

Zach Gray @ Rickshaw & David Vertesi @ Cafe Deux Soleil -- 12/10/10

Another busy night in Vancouver, with three people that I wanted to see playing shows. I chose using a very complex series of algorithms (read: which cost less), and decided upon seeing Zach Gray at the Rickshaw, followed by David Vertesi at Cafe Deuz Soleil. (The third was Aidan Knight at the Jon & Roy Holiday Extravaganza)

First stop was the Little Mountain Gallery Fun-Raiser at the Richshaw for Zachary Gray, of The Zolas, doing a solo set. After the first band, World Peace, he said he needed a better name to be able to yell, and jokingly dubbed himself “Lesbian Kissing” for the show. He did a set of mostly Zolas songs, but an older Lotus Child and a cover of (Talking Heads), and like last time, the songs were really cool to see done solo, but did seem kind of missing the “rest” of the song. Maybe I'm just too used to the full band. Zach also went off on a few stories between the songs, which is always cool to see. Well, only if you have a good storyteller on stage, which Zach was, luckily.

And as an aside, I am still no fan of the sound at the Rickshaw. Zach didn't sound too bad, cos it was just him, but the more people you get on stage, the more terrible the sound is. I absolutely hated it my first show there, and I don't think I am going to catch too many more shows there in the future.

After that it was off to Cafe Deuz Soleil for the Megaphone Magazine fundraiser. Vertesi was headlining, but first was the aptly named Julia & Her Piano and also Andrew Lee, of 41^st & Home. Very nice & pleasant sound and a good voice, despite mentioning she was a bit under the weather and Lee's trumpet and backup vocals helped round out the sound. It was a bit chatty in the room, as is wont for shows in places like this, so I wouldn't mind seeing her again in a more ideal setting.

Next up was Ladner and they, too, fit their name, as they were kind of flat and boring. All of their songs ran together and sounded pretty similar, like the same, long song.

And finally, David Vertesi. He was again joined by Dave Joseph helping out on bass, and a wicked keytar. The aformentioned chatter continued through his set as well, but despite that, Vertesi managed to capture the crowds attention with his songs, which he admitted were all about love, for better or worse. And the more I see him play – and listen to his album, for that matter – the more I think the former, as his raw lyrics bring give his [damn catchy] songs relevance amongst all the other songs about love. I think he mentioned, after the set, that the next time he plays (this Friday at the Biltmore) will be with a full band, and that has me very intrigued, as each time I've seen him so far he has been more or less solo.

Henry & The Nightcrawlers w/ Zach Gray & David Vertesi @ Billy Bishop Legion -- 11/27/10

Some of Vancouver's finest musicians came together at the Billy Bishop Legion Hall for the Record Release Party of Henry & The Nightcrawler's debut full length, 100 Blows.

The night started out with The Zolas' Zachary Gray playing a solo set. I wasn't actually sure what Tom-less Zolas songs would sound like, but I should have had more faith in Zach, as he was able to pull off the songs with his usual effortlessness. They were different, sure, but they were definitely not weird... or worse.
It was only a short set of half a dozen songs, and mostly Zolas songs, but he threw in a couple songs from his old band, Lotus Child, as well. I am woefully unfamiliar with Lotus Child, so those songs were cool to see. He ended with "Marlaina Kamikaze", which was probably the most different from the original, but also best song of the set. I also finally captured the new(ish) song "Guest" on video, after it getting perpetually stuck in my head every time I see it live. Not great video quality, but the audio is what matters.

setlist:
You're Too Cool, Guest, Coelacanth (LC), Gossip Diet (LC), The Great Collapse, Marlaina Kamikaze.

Second up was David Vertesi, and before he even started, the crowd was singing him a very off key but well meaning rendition of happy birthday. He was joined by David Joseph on bass (or sometimes keytar) playing from his debut solo album, Cardiography. His set was also just a handful of songs, but his smooth voice and charm got the crowd shoulder-shimmying along. Aside from his own songs, part way through the set he called up his Hey Ocean! bandmate Dave Beckingham for some help, only for the three Dave's (all in plaid) to be joined by Ashleigh Ball to play Hey Ocean!'s "Jolene". Another highlight of the set was "Hearts Don't Break, People Do" which, given the lyrics, would be strange to call heartbreaking, but the emotion that poured out from the song was palpable.
At the end of the set, he was surprised on stage by a cake, and another happy birthday singing.

setlist:
Gentlemen Say, Mountainside, Broadcasting, Jolene (HO!), Soft Skin, Hearts Don't Break People Do, All Night, All Night, All Night.

And finally, it was time for Henry & The Nightcrawlers. Tonight, the Nightcrawlers were to be played by Zach G on bass, with We Are The City's Andy & Cayne on drums & keys (respectively). That was the lineup that I last saw them as (making this the first time I've seen Henry play with the same backing band, interestingly enough) and the lineup that just finished a short tour. It was probably both of those factors that helped this be the best set I had seen from the band yet. The way each of them played off each other, both while performing and even stage banter, you could tell (even before Henry admitted it) that the four guys on stage were best friends. They played all of the new album, though not in order, with a couple highlights being "On A Week Night", which had a fantastic build to the ending, and "Amberly" with a slight lyrical adjustment, giving a mention to one Brenda Lee (the blogger, not the singer). 
After a brief mention of Billy Bishop, who the place they were playing in is named after, they played a cover of The Kinks' "Strangers", and "ended" the set with the title track to the album, "100 Blows".
I've always said I like encored better when they are short and consist of something special, either covers or jamming, not just a couple more regular songs -- those should be in the "main" set! -- so I quite enjoyed the one-song encore, which was a cover of Elliott Smith's "Needle In The Hay".

I should be used to it by now, but I never fail to be impressed with the music community that has been built in Vancouver. Tonight was another prime example of musicians from various bands who are willing to come together and support not just their follow musicians, but their friends.

setlist:
The Fight (La Lucha), Daytime Friend, The New Guy, The Fucking, On A Week Night, Amberly, Girl Drinks Red Wine In A Bathtub, Fan The Flames, Strangers [The Kinks cover], 100 Blows.
(encore) Needle In The Hay [Elliott Smith cover]