3am Mixtapes: Episode Eighty Eight: Dreams

Each week on the 3am Mixtapes podcast, I will share with you the Top Six Songs of a certain subject. The topics can be as general as best songs off a soundtrack. Some might be a little more... specific. Top Six Songs About Body Parts. 

Whether they are hopes and dreams, or sleepy dreams, or Fleetwood Mac dreams, a lot of artists have been inspired by the subconscious mind trying to sort your shit out. So this week, I figured I would do the Top Six Dreamy Songs!

Fantasize to these songs:

"Dreams of Surrender" by Savvie
"Sweet Dreams" by Kandle
"Undream a Year" by Valleys
"Darkness of the Dream" by The Tallest Man On Earth
"The Canadian Dream" by Sam Roberts
"Dreams" by Shad

Any questions or comments or waffles or criticisms or suggestions for future themes are welcome!

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Sam Roberts @ Commodore -- 02/27/15

It's been a few years since I last saw Sam Roberts and his Band play live, and apparently nine years since they last graced the stage of the Commodore Ballroom. Which is probably why they were playing back to back sold-out shows this weekend, on the heels of last year's latest album, Lo-Fantasy. 

I caught the first of the two nights, unfortunately missing both local acts that opened the show, Pigeon Park and The River & The Road. 


I arriving just in time for Sam Roberts Band to hit the stage, with a giant LED screen behind the band. Most of the time the screen had shapes, colours, and patterns to go along with the songs, but a few times it had something more specific; old clips of Detroit in 1967 for the appropriate song, or a direct feed from a camera that was sitting on stage, pointing out into the crowd.

The Montreal band delved into Lo-Fantasy early with "Shapeshifters" and "Human Heat" kicking things off, before hitting songs from all previous albums (and showcasing just how many hits the band has). There was lots of singing along throughout the night, which started early with "Where Have All The Good People Gone?" and lots of dancing (well, weak-moshing/jumping, perhaps to prove that "Them Kids" did not, in fact, know how to dance to rock 'n' roll). Other highlights included the jangly keyboard of "Detroit '67", the driving, anthemic "Kid Icarus", and the dark and kind of brooding mood of "I Feel You".

"Chasing the Light" closed out the main set, but instead of the normal silence to tease the inevitable encore, there had glitchy, synth beats pumping out with a video on the big screen, leading up to a countdown for the band to reappear. They promised the crowd "We're All in This Together" before one last singalong, "Brother Down", that ended with Sam jumping into the photo pit to get right up with the crowd, and even grabbing the camera that fed to the big screen and playing cinematographer.

That ending right there would have been pretty good, but they weren't quite done. After an hour and a half, they still had one song left in the tank. One song that is not only my favourite Sam Roberts song, but unarguably their most epic, the ten-minute long "Mind Flood". The song ebbed and flowed with swirling psychedelic guitars and cacophonous drums, to built to an intense climax for the perfect ending to the show.

setlist

Shapeshifters, Human Heat, The Last Crusade, Where Have All The Good People Gone?, Golden Hour, Fixed to Ruin, Let It In, Detroit '67, Metal Skin, Kid Icarus, I Feel You, Hard Road, Them Kids, Bridge to Nowhere, Chasing the Light. 
(encore) We're All In This Together, Never Enough, Brother Down, Mind Flood. 

3am Mixtapes: Episode Eighteen: Hangover Songs

Each week on the 3am Mixtapes podcast, I will share with you the Top Six Songs of a certain subject. The topics can be as general like favourite songs of the year. Or some might be a little more... esoteric. Top Six Songs With The Number Six In The Title.

This week I bring you something rather timely, something you might need tomorrow after your New Year's Even festivities tonight. It's the Top Six Songs To Listen To Whilst Hungover.

Featuring the calming tones of:

"A Stone Would Cry Out" by Sam Roberts
"Doctor Blind" by Emily Haines & The Soft Skeleton
"The Deserters" by Rachel Zeffira
"Carry On" by The Mountains & The Trees
"It's All Your Fault" by Elisapie
"Love The House You're In" by Moonface

Any questions or comments or waffles or criticisms or suggestions for future themes are welcome!



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Sam Roberts Band w/ Jets Overhead @ Malkin Bowl -- 05/28/11

It has been far too long since three things happened: I've seen Jets Overhead live, I've seen Sam Roberts Band live, and I've seen a show at Malkin Bowl. And it was a gorgeous day to combine these three things last night. Fun fact*: The first time I saw Sam Roberts Band was also the first time I saw Jets Overhead. They were opening on a bill that was Jets, The Stills, Broken Social Scene, and SRB.
*fact not guaranteed to be fun.

Due to some aggravation with parking -- namely, waiting in line for 15 minutes to pay -- I missed the first song or two of Jets Overhead, running up to the park with "No Nations" in the distance.
They were on top of their game in the shining sun, with their infection melodies and catchy harmonies. They played mostly off their last full length, No Nations, but also had a few off Bridges and the newest EP, Bystander. The title track from the EP was definitely one of the highlights, with its soaring vocals, as well as a stripped down and acoustic-y "Where Did You Go?" and the simmering "Fully Shed". And the set came to a dynamic ending with the almost seven minute "Tired of the Comfort", building to an intense climax. And an awesome rock-star-jumping-scissor-kick from Adam.
They mentioned in the set recording a new album, which I am definitely looking forward to.

Setlist (may be a bit off at the beginning)
No Nations, Fully Shed, Seems So Far, Sure Sign, First Time, Where Did You Go, Bystander, I Should Be Born, Heading For Nowhere, Tired of the Comfort.

And then hitting the stage promptly at 8:15 (it was an early show) was Sam Roberts Band. They kicked off with "I Feel You", the lead single off the first album, psyching everyone up right off the bat. From there they played what ended up being a nearly two hour set with songs from all over their catalogue. The whole band had a great energy, especially Sam, but especially guitarist Dave Nugent, who couldn't seem to be still for more than a minute. They definitely had the crowd engaged from the very beginning, too, with lots of singing along, especially to the older hits like "Hard Road", "Where Have All The Good People Gone?" and "Brother Down"; the latter two had Sam hold the mic out for the crowd to sing parts of the chorus.
Most of the set was focused on the faster songs, but there were a couple moments where he slowed it down, like "Lions of the Kalahari", and he swapped for an acoustic guitar a few times, most notably for "Bridge to Nowhere". And while some of the newer stuff didn't quite pop as much as the older, there were still some great moments, like the pounding rhythms and rock sax of "Let It In" and the heartbreaking "Partition Blues". The sun was setting just as he finished the main set with "The Last Crusade" off the new album, but they were, of course, back out for a few more hits, ending the encore with "Them Kids", sending everyone into a frenzy.
At this point I was satisfied, if a little disappointed they didn't play my favourite song, "Mind Flood". But then, my worries were for naught as they hit the stage one more time and launched into its ten minute glory of swirling, psychedelic guitars for an incredible end to an already great show.

Not surprisingly, it was a fantastic show from a pair of bands that never fail to put on a great live show, in one of the cities best venues.

setlist
I Feel You, With A Bullet, Fixed to Ruin, Let It In, Lions of the Kalahari, Graveyard Shift, Hard Road, Up Sister, Partition Blues, Bridge to Nowhere, The Band vs The World, Where Have All The Good People Gone?, Without A Map, Brother Down, The Last Crusade.
(encore), Streets of Heaven (Promises, Promises), Detroit '67, Don't Walk Away Eileen, Them Kids.
(double encore) Mind Flood.

songs of the indeterminate time period.

Hey look! It's another instalment of my song(s) of the week month "whenever I feel like it" segment!
Here are a few songs; ones that are new, newish, or new-to-me for your listening pleasure. I'll also try to include at least some diversity in the selected songs.

Today there is a bit of a theme, with guest artists on songs in genres you would perhaps not expect them to be in.


Metric's Emily Haines and The Dears' Murray Lightburn join forces with k-os for this track. It is not a surprising collaboration, considering all have worked, in some capacity, with Broken Social Scene, have toured together and are buddies. All three of their voices mix amazingly well together, and the song itself is pretty damn good. It is off k-os' new album YES! and is quite possibly one of my favourite tracks of the year. Maybe only just a little because it features two of my favourite musicians, and now makes me really want a collaboration between Haines & Lightburn together.

Download Uptown GirL by k-os
artists website where you may listen to more and exchange monies for music


This Nova Scotian collaboration features rapper Classified with quintessential maritime musician, Joel Plaskett. Both artists have been around for over a dozen years and albums and are both pretty influential in their respective genres and scenes. It's a pairing that may sound like it wouldn't work, given their respective sounds, but it comes together excellently, and even features some of Plaskett's playfulness. It is off of Classified's thirteenth album, Self Explanatory.

Download One Track Mind by Classified

artists website where you may listen to more and exchange monies for music


When internationally renowned electronica DJ Misstress Barbara -- the misspelling being intentional, a portmanteau of "miss" and "stress" -- put out her first album, I'm No Human, she enlisted in the help of fellow Montrealer Sam Roberts for vocals on the track I'm Running. It's another pairing that works much better than you would expect, with their voices melding together perfectly. The overall catchiness of the song doesn't hurt, either.
It also has a pretty cool video.

Download I'm Running by Misstress Barbara
artists website where you may listen to more and exchange monies for music

random top six

Time for another Random Top 6 list! Here's the deal: every week whenever I feel like it, I will choose a random category and select the top 6 songs fitting that criteria. Today I have chosen cover songs. It was hard to slim it down to just six, as there are a ton of great cover songs out there, and I'm not saying these are the six best of all time ever... but here is the Top 6 Cover Songs of the Time Being. Even though not all of them are new. I just pretty much chose six nifty ones that people may not have heard. Everyone knows Johnny Cash's Hurt is the best cover ever anyway. And before we get into it, if anyone has suggestions to future top six lists, let me know. I'm all ears.
Oh, and also, some of these are live, so may not have the best quality. But all are completely listenable. I have also included links to youtubes of the originals.

Top six cover songs
in no particular order


download Your Ex-Lover Is Dead by Ben Gibbard (Stars cover)


download You Can Call Me Al by Sam Roberts (Paul Simon cover)


download Take On Me by A.C. Newman (A-Ha cover)


download Power of Love by Final Fantasy (Celine Dion cover)


download Dirrty-licious by Keane (Christina Aguilera + Destiny's Child cover[s])


download Yoshimi Battles The Pink Robots by Vyvienne Long (The Flaming Lips cover)

Sam Roberts Band @ Deer Lake Park -- 08/03/09

What better way to spend BC day than at the beautiful Deer Lake Park with some terrific music? I certainly can't think of anything better.

This was the third time seeing Hamilton Ontario's Arkells live, and they just keep getting better every time. Starting off with the albums lead track, Deadlines, their all-too-short set consisted mostly of songs from their debut album, Jackson Square. They did, however, throw in one song which I think was new, and probably called something like Strong Country Boy, if the chorus is to be believed. Songs like The Ballad of Hugo Chavez and No Champagne Socialist sounded awesome like, but one of the highlights of the set would have to be John Lennon, which is one of my favourite song of theirs. It was phenomenal, with a fantastic instrumental interlude, of sorts, mid-song, and the band going nuts. They closed the set with their first single, Oh, The Boss Is Coming which would have brought the roof down, had it not been an outdoor venue. Through their whole set they managed to keep up an incredibly high energy, with it only building in enthusiasm until the end.
I managed to keep track of the setlist, which was:
Deadlines, Pullin' Punches, The Ballad of Hugo Chavez, No Champagne Socialist, Strong Country Boy(?), John Lennon, Blueprints, Oh, the Boss is Coming!

Next up was Vancouver's own Mother Mother. I admit, while I like their singles (some more than others), I am don't know if I would consider myself a fan of the band. They're good, for sure, but they seem to be a little, I dunno... over hyped? That being said, I did enjoy their set. With infectious chords and near-perfectly harmonized melodies, a great stage presence and a knack for catchy indie-folk-pop, they put on a damn good show. Singles like Body of Years were pulled off flawlessly, but it was songs like Wrecking Ball and O My Heart, the ones that are a little more... harsh and raw, that I liked better. I don't think the set made me want to run out and get their new album, as it was pretty much what I expected it to be, but I am definitely interested in seeing how the band progresses and wouldn't mind seeing them again.

Then finally, straight out of Montreal, Sam Roberts Band. Compared to the show earlier this year, I think I liked the setlist for that one better, but overall this was a much better show. Possibly due to the setting, as Deer Lake park is a beautiful venue. He kicked off with Detroit '67, which got everyone into it, but it wasn't til a few songs in that everyone really got jumping with Sam leading everyone in a chorus sing-along of Where Have All The Good People Gone?, which had a really awesome extended intro and ending. Most of the set was focused on his more energetic material, with the majority being from the new album (which is to be expected) Though he did break out the odd mellower song, like Lions of the Kalahari & Uprising Down Under (a song that, I still maintain, will never be as good live as the album version, if only for the lack of Matt Mays) and -- aside from the obvious singles -- he did delve as far back as his first EP, The Inhuman Condition, for This is How I Live.
Brother Down was another massive sing-alone which had everyone yelling out the chorus before the set "ended" With A Bullet.
When they came back out, they kept up the same zeal as the rest of the set, playing the last two singles they hadn't played, Them Kids & Don't Walk Away Eileen. Those were followed by the last song of the night, the same one he closed the show earlier this year with. Mind Flood. The song, perhaps my favourite Sam Roberts song, runs about 8 minutes on the album, but was stretched into almost 16 minutes of insanity, swirling, psychedelic sounds, and, well, there is no better way to describe the song as a Mind Flood. It was quite the spectacular display and, again, heightened by the beauty of the venue.
I was also able to keep tabs on their setlist, and so:
Detroit '67, Love at the End of the World, The Resistance, Where Have All the Good People Gone, Lions of the Kalahari, Fixed to Ruin, This is How I Live, Hard Road, Up Sister, Bridge to Nowhere, Uprising Down Under, Brother Down, With a Bullet.
(encore) Them Kids, Don't Walk Away Eileen, Mind Flood.

I kind of wished they had swapped Arkells & Mother Mother, as I like the former better than the latter and would have liked them to have a longer set... but that minor complaint aside, it was a superb night of music. And what is it with Sam Roberts and his knack for choosing awesome tour mates. Of the three times I've seen him (not counting arts crappy fair), he has played with the following bands: Jets Overhead, The Stills and Broken Social Scene; The Stills again; and now Arkells & Mother Mother. I can't wait to see him again, if only to see who else he brings.