Michael Bernard Fitzgerald w/ Acres of Lions @ Performance Works -- 02/24/12

This weekend marks the seventh annual Winterruption Festival, a celebration filled with food and performance and arts and dance and music on Granville Island. And do they ever have some amazing music this entire weekend, with free shows during the day and a couple nifty looking double bills in the evenings, like Michael Bernard Fitzgerald with Acres of Lions last night.

Acres of Lions kicked off the night with fill-in-drummer Cody Beer joining Jeff Kalesnikoff on guitar and vocals, Tyson Yerex on guitar & keys, and Dan Ball on bass. They started with "Let's Get Sentimental" from their debut album, and the ridiculously catchy "Reaction" came early on in the set with Jeff  getting everyone to clap and "Ba Baa" along. They slowed down a bit for the Firefly-inspired "Best Day Ever" before rocking the rest of the set, with upbeat and infectious songs like "Kids" and "Closer", before ending with another slower one, the title track off their most recent album, Collections.
While they're not reinventing the pop-rock genre, their live show is just flat out fun; the whole band has a great energy and stage presence, immediately filling the dance floor and getting the crowd to sing and clap along to a few songs.

Not long after, Michael Bernard Fitzgerald hit the stage with a nice sized band including a horn section (whom he introduced as "The Horny Boys"), a pair of drummers, and more. He started off with "Movie Life" and his brand new single, "Follow", playing a good number of songs from his upcoming album and EP, both titled Yes; Side A and Side B respectively. The new stuff sounded much like you would expect, pop-ish with a hint of soul, and the full band gave it a nice, fleshed out sound. It definitely got me interested to pick up the album(s).
MBF also has a great stage presence, genuinely nice and humble, and an effortless charm. He did things like give out his phone number, so everyone could be "text friends" and when there was a bit of a delay, when he had to change and restring his guitar, he kept the flow going with his backup band playing, and then bringing a fan on stage to demonstrate CPR through dance (no, seriously).
Highlights of the set were the aptly named "Firecracker", which was one of my favourites of the night, and the older "Brand New Spaces", with everyone stomping & clapping along, and ending with a medley of top 40 covers including Sysco, Flo Rida, and LMFAO. And those weren't the only covers in the set, he had a few more throughout; Paul Simon's "The Obvious Child" early on, The Boss's "Dancing in the Dark" to end the main set and "Call Your Girlfriend" by Robyn in the encore.

Both bands of the night put on incredibly fun sets, and they were a perfect match for a night of good music. And speaking of another perfect match, I am definitely looking forward for Winterruption to continue tonight with Aidan Knight & The Belle Game at Performance Works.

Shows of February

It's the first of the month, which means a) your rent is due, and 2) I'm going to post a quick look at some of the shows I am excited to see this month. After a slow start to the year, this month is packed, so let's get to it.

Wilco at the Orpheum on February 5th.
This is the show I am most excited about. I am ashamed to admit I have never seen Wilco live and after The Whole Love, which was one of my favourite albums last year, there is little chance I am going to miss this show.

The Matinée at Venue February 18th
Even though I saw them four times in the sopan of a couple months last year, none of them were their own headlining shows, so I am more than a little excited for this, which is bound to be a boot-stompin' good time. They're also joined by current buzz band, Good for Grapes and Washboard Union (formerly Gun GMC)

Winterruption February 24-26 at Performance Works
This is going to be a good weekend. Starting off with Michael Bernard Fitzgerald with Acres of Lions on the Friday night. Then another beauty of a double bill with Aidan Knight and The Belle Game Saturday, and wrapping it up with Jasper Sloan Yip for a couple of shows on Sunday.

Saturday the 25th also sees a music event, not a concert but a screening and listening party for the new Said the Whale. They've teamed up with Amazing Factory to make a video for each song for their upcoming album, Little Mountain (think High School) and they'll be screening the entire thing at the Rio Theatre. And they promise it'll end in time to head over to Performance Works.

CBC Toque Sessions
The Toque Sessions return this year, which are some free shows at the CBC, it runs through the next couple months and has some excellent acts. This month we've got Yukon Blonde (3rd), Mother Mother (10th), Rococode (17th), Hey Ocean! (23rd), and a bunch more. Check the link above for the full lineup and how to attend.
And Hey Ocean! has another show lined up, with Elias opening for them, at Venue on the 10th (on the same day as Mother Mother! Oh noes!)

Whether you care about Valentine's Day or not, the Sweetheart Serenade at the Rio Theatre is worth checking out. It'll feature stripped down performances from Zachary Gray (The Zolas), Tariq Hussain (Brasstronaut), Harold and John (Portage and Main), Spencer Schoening (Sunny Pompeii), and Hannah Epperson.

There's also Maurice & Redgy Blackout at the Biltmore on the 22nd, Jordan Klassen with Bed of Stars and Northcote at the Media Club on the 17th (which is conveniently after the Rococode Toque session ends), and I am sure a few others that I am missing -- let me know in the comments!

Whew!

Sing It Forward @ Vogue -- 12/21/11

Name your three favourite Vancouver bands. Chances are pretty strong that at least one of them was at the Vogue last night for Sing It Forward, an evening benefiting the kids of the St James Music Academy. Organized by David Vertesi and Ambrosia Humphrey, they brought together some of Vancouver's finest for a night of music.

Leading up to the night, there was also a series of videos posted on Vancouver is Awesome of the bands joined by the kids of SJMA for a song (see them all on their Vimeo channel), and these were shows throughout the night between sets.

As there were almost a dozen acts, each had a short set of three acoustic songs, so I won't linger too long on each act.

Arriving just in time for the last song by Aaron Nazrul of The Boom Booms, he was joined by just about the whole band for a song about East Van, where they're from. It sounded pretty much what you'd expect from The Boom Booms; upbeat and energetic.

Next up was The Belle Game, starting off with "Sleep To Grow", including a fantastic ending with Andrew Lee on trumpet. Even stripped down acoustically, the band had a lush, rich sound that seemed to fit perfectly for a theatre venue like the Vogue; I would love to see them do a full set there sometime. They wrapped up their set with "Shoulders and Turns" with a good number of the other musicians coming out for percussion to end with a bang.

Rococode was next, their raucous sound translating acoustically very nicely (the use of the xylophone definitely helped out with that). The songs -- "Empire" especially -- were no less catchy, and "Dreams" possibly worked even better as an acoustic song, being much more haunting stripped down, and getting the crowd to sing along for the end of it. 

Up next was the man of the night, David Vertesi himself. With just Andrew Rasmussen joining him on keys, he played some of the softer songs from his album; "All Night, All Night, All Night" and "Learn To Run", the latter building to an intensely emotional ending. He ended the set with a surprise guest, calling out Hannah Georgas to sing backups on "Mountainside", bringing up the energy a bit more to wrap up his set.

Ben, Tyler and Jacelyn of Said The Whale were up next, with Ben taking care of the vocals, since Tyler was still recovering from having his tonsils removed (seriously). Every year the band puts out a Christmas song or EP, and their set consisted solely of some of these Christmas songs, with the dreary "Puddleglum" being one of my favourites of the night. Even in a post-surgery haze, Tyler had pretty good energy, and Ben's great voice effortlessly filled the venue.

Wrapping up the first half of the night was Aidan Knight who started off with the most heartbreakingly beautiful song, "Margaret Downe", and even managed to break a string. At an acoustic show. After some of his usual hilarious banter -- a story about how his guitar got the name Burnt Reynolds -- and some deliberation, he played a brand new song and ended, of course, with "Jasper", bringing up all the kids on stage to sing with him.

At this point there was a short intermission, and then Adaline kicking off the second half. She had a bit of a auspicious start, as the keyboard she rented wasn't working, and the one they had been using all night wasn't ready. But she handled it like a champ, first encouraging the kids to continue on with music, then ready to sing a capella, with Robbie Driscoll on bass. Just as she started, though, they got the keyboard fixed and she was able to launch into her somewhat dark, sexy sound, starting with "The Noise" and then bringing out Laura Smith to help with background vocals for "Keep Me High", ending with her own Christmas song from the Light Organ compilation.

Next, Vince Vaccaro was out solo, armed with just his guitar. I've always found Vaccaro's music kind of hit or miss, personally, but I rather enjoyed his acoustic set, and I can't deny he is a pretty great performer. After his first song, he invited all the St James kids back on stage, and they helped out -- along with Ash from Hey Ocean and everyone's drummer Johnny Andrews -- for "Costa Rica" to wrap up his portion of the night.

Another surprise guest popped up between sets when Shad came out to fill the time before the next act with a couple freestyle verses, including his soliloquy from the end of "Live Forever"

Then it was the only non-Vancouver act, Michael Bernard Fitzgerald coming in from Calgary. After a new song, and teasing an upcoming album, he launched into "Movie Life", with a little but of "The Thong Song" (cleaned up a little, for the kids) slipped in at the end, and another new one with Vertesi -- and the kids back up on stage out to help out with singing. MBF is always incredibly fun to watch live, as he just exudes charisma, and you can't help but be charmed by him.

Zach Gray of The Zolas was the penultimate act, coming out with a couple new songs; "Strange Girl" and, after taking a survey of his own (which went about as conclusive as Aidan's) a brand new one called "Ancient Mars", which Zach described as a nerdy love song that he never played all the way through before. It had me at the first line, "I want to believe in time travel". He ended the set with everyone getting into "You're Too Cool", and some great singing along from the crowd.

And finally, wrapping up the night was Hey Ocean starting with a really cool version of "Big Blue Wave" -- which I may have liked even more than the full band version. They threw in their new Christmas song, which had the best intro; first Vertesi introduced in each instrument as they came in (including everyone's favourite holiday instrument: the keytar) and then brought out the awkward dancers, with the greatest dance moves of the year from Aidan Knight and Alex Andrew from the Belle Game. They wrapped it all up with the St James kids back on stage, and all other musicians as well, for a giant singalong to "Alley Ways", for a pretty great moment to end the night on.

It ended up being a four hour long night, but it hardly felt like it, as there was never a dull moment or a lull in the show. All the performers were top notch, and they kept the changeover times to a minimum, with the videos or the lovely emcees from The Peak keeping things running smoothly.

It would be cliché to call it a magical night, but there is hardly any better description, and I hope some variation of this turns into a yearly event.

Michael Bernard Fitzgerald w/ Steph Macpherson @ Biltmore -- 02/09/11

It feels like forever since I had been to a live show (it was really only a week and a half), so it was nice to break the drought with a double bill like this.

Steph Macpherson hit the stage a little after nine, with a full band in tow -- among them Garth from 41st & Home on drums and Adaline on backing vocals. It was the first time I had seen her with a band since her Peak Performance Project show (which was, incidentally, the first time I saw her at all). As much as I've enjoyed her acoustic shows have been, having a full band added a nice depth to the songs. She started the night off with the title track from her EP To You, and hit all of the songs off of it.
Steph looked completely natural on stage, getting the crowd to stomp-2-3 snap-2-3 along with "Something In You" and clap along to a few others. Another highlight of the set was the heartwrenching "Letters" -- it's such a simple line, and maybe it's just the way it's sung, but I've always been struck by the lyric "caught me on the exhale".
She ended the set with the backup singers donning sailor hats and a song that I think was called "Summer Salute", which was a great song; quite a bit more upbeat than the rest of the set.
I liked Steph's music well enough the first time I saw her, but I think the more I see her live, the more I am liking it. And it's always interesting, as each time I've seen her, there has been a different arrangements of musicians and instruments on stage.

And headlining the night was Michael Bernard Fitzgerald. I really liked his set at Live at Squamish, and I had been looking forward to seeing him since. His band, which had some double drumming action, was all matching in white shirts and black suspenders; a bit of a contrast to MBF's basketball jersey.
With a great and energetic stage presence, MBF had the crowd eating out of his hand, especially the female contingency. From the beginning, people were dancing, clapping and singing along, with MBF even encouraging the odd make-out or two.
Midway through the set, the band took a break and MBF played a few on his own, but they were back soon enough for a cover, and a pretty good one at that, of "Dancing In The Dark" -- though no one was brought on stage to dance, Courtney Cox style. He followed that with "Movie Life", which sadly did not include his looping vocals, but did include a pop song medley at the end, which has, among others, "Thong Song", "Waterfalls", "Get Low", "I Like Big Butts" and was capped off with a little "Bed Intruder".
He brought the set to and "end" with "Brand New Spaces", getting everyone to join in on the stomping & clapping that went along with it, but was back out moments later for a brief, one song encore.
In contrast to what I said about Steph, I think I liked MBF's solo set from Squamish a little more than the full band, but I will definitely make sure to catch him next time he comes through town, regardless.

As I said above, it was a good way to end a dearth of live music drought, and a great way to kick off the abundance of shows coming up in the next week -- something like six in the next seven days.

Live at Squamish. Day one, part one. -- 09/04/10

Wow. Just wow. Having never been to a music festival before, I really had no idea what to expect, but those three (two?) words sum up my reaction pretty well.
When Live at Squamish was first announced, I was impressed by the lineup. Then when they added my favourite musician, I knew I had to go. I was fortunate enough to win tickets (they seemed to be giving them away like hotcakes... I guess to spread the word, since it was the first year?) and gathered up a posse of pals to help make the weekend unforgettable.

The first day was incredibly nice, weather-wise, and the backdrop for the festival was just gorgeous. It started a bit slow, as the first few acts we saw were... mediocre. First up was Step Twelve, a drums & bass duo. Musically, they were quite good, and at times you even forgot he was playing the bass. And an electric mandolin is a plus to any set. But the guys vocals left a little to be desired; it was especially noticeable when they covered "Baba O'Reilly" to middling success -- it was a decent cover, especially considering there were just the two of them, but again, the vocals is where it came apart.

The next band was Kostaman on the main stage, a reggae band from Whistler. Now, there is nothing wrong with a band from anywhere wanting to play reggae. But there is something wrong when they go out of their was to appear Jamaican. With an abundance of red, yellow & green and the lead singer putting on a fake accent (which he kept slipping in and out of) the whole thing just seemed way too forced. Which made the medley of cover songs at the end seem less of a tribute and more of adding to the overcompensation.

But soon after, the fest kicked in to high gear with Said The Whale. Playing a mix of their older and newer songs, they brought people flocking to the main stage with their usual energy and upbeat stage presence. I am not too sure why I was surprised to hear "Love is Art/Sleep Through Fire", but was certainly glad since it is one of my favourites. A new one, which I am going to randomly call "Information Age" was slipped in the set, and they ended with "Camilo (The Magician)" and "Goodnight Moon", which I don't think I will ever tire of hearing live. It was pretty awesome seeing them play a festival like this, and they certainly delivered. And seemed to be as excited to be there as the crowd was.

From there it was a mad dash over to the Serf stage to catch Michael Bernard Fitzgerald. I hadn't seen him live before, and had only heard a couple songs off The Peak & R3, and while I had liked those, I had no idea what he would be like live. He turned out to be amazing. His set began just as Said The Whale ended, so we arrived just as he -- up on stage alone with just an acoustic guitar -- was solving his looping problems. Which he immediately put to good use on "Movie Life", doing a multi-part harmony with... himself; looping the line, then singing on top of it over and over and over. It was a really cool effect. The song then led into an amazing cover song medley that included: "Thong Song", "I Like Big Butts", "Waterfalls", "My Humps", "Get Low" & capping it off with Justin Bieber. It was as hilariously awesome as it sounds. To wrap up the set, he was joined by Zach Gray (The Zolas) and David Vertesi (Hey Ocean!) for them to stomp-stomp-clap along to "Brand New Spaces". His set was probably one of my favourites of the fest. Definitely the biggest surprise, and I am absolutely going to go see him live again next time he swings through Vancouver.

After him, also on the Serf stage was We Are The City. It seems like I've seen them live about once a month this year, but every time they play, then just keep getting better. It is always cool to see a young band grow. The set was, as usual, great, and they threw in all three new songs they've been playing live of late. I've always marvelled at the intensity of Andy's drumming, and this time was no different; he even broke a stick at one point, with the tip flying off into the crowd! Another great moment was when a group of annoying girls were talking loudly during a quiet part of a song, and Cayne (who was pretty much right in front of them) just looked over, paused and gave them a look until they embarrassedly stop talking. Though it was kind of bittersweet, as with David leaving, there is a chance this was the last time I'll see the three of them playing together.

Since there was so much to see and do, I have decided to split the weekend into four parts. Coming up: Day one, part two: Hollerado, Matt Good & Devo. And I have posted the weekends pics on my flickr, check them out!